In this episode Cal gets to revisit one of his earliest brews, the Coconut Brown. Combining the sweet malty robustness of a Brown Ale with the unique creaminess of Coconut, it’s a style not seen very often but enjoyed by most that try it.
S2E18 – The Best Invention
As Bugs takes a stand against organised religion amongst wolves, Porky (one of them, anyway) finds himself back in Wackyland in a Cinecolor nightmare perpetuating a lie from 1938.
S2E17 – A Literal Ghost in the Shell
As the Sylvester & Tweety dynamic takes its classic form, we have some revelations as to the nature of Sylvester’s profession, anatomy, and potential lifestyle Meanwhile, Bugs looks for love at the dog track following a noise complaint, and we meet The Agency’s newest agent on his hunt for a notorious pig still at large.
15 – White Stout with Kieran Johnson
As the sweet, roasty, yet smooth drinking evil twin of the Black IPA, the White Stout is lesser known but just as beloved to its fans. Is the illusion great enough to justify the “Stout” name, or is it just a Coffee Pale Ale? In this episode we’re joined by Kieran Johnson (who recently brewed […]
S2E16 – Foghorn Frolics and Merrie Melodies
In this slice of life episode we explore the day to day routines of Bugs Bunny and Foghorn Leghorn. An odd lack of hidden agenda on Bugs’ part makes for a relaxing week in The Space Jam Continuum filled with music and japery.
S2E15 – There’s Something Under the House
Porky III starts a new evil scheme, Sylvester takes a sabbatical in Slobovia, Bugs messes with history for reasons unknown, and we realise that something eldritch is afoot in a forgotten house.
14 – Imperial Stout with Double-Barrelled
In this special episode we visit Reading’s newest brewery “Double-Barrelled” as they brew an Imperial Stout due to be double barrel aged!
3.48 – FAMILY PLOT and Reinvention
The final Hitchcock film in our mini-series is his last motion picture, 1976’s FAMILY PLOT. After differing reviews — interesting, given our previous ideas about Hitchcock’s oeuvre — we talk about everything from camp thrillers to how this was nearly an example of slacker cinema, and how this may have been a response to a […]