We kick off season 4 — and our chronological tour through martial arts cinema — with the 1925 film OROCHI. After some glowing reviews of the film, we talk about the number of ways in which it feels like a very modern piece of cinema: from some of the gender politics, to the stunning choreography […]
The final Hitchcock film in our mini-series is his last motion picture, 1976’s FAMILY PLOT. After differing reviews — interesting, given our previous ideas about Hitchcock’s oeuvre — we talk about everything from camp thrillers to how this was nearly an example of slacker cinema, and how this may have been a response to a […]
In this science heavy episode, we have to re-evaluate the Gravity Triangle, Hubie and Bertie find themselves a new profession, and the Three Bears have some bee trouble. Also, we play you a good, good song.
Our next Hitchcock film, coming a decade after last week’s offering, is his 1958 hit VERTIGO. After short reviews of the film, we talk about everything from how the movie creates distance in its audience to the creative endeavour evident in the Marvel films (it’s relevant, honest) — and we end with a Rob’sRantTM.
The next in our Hitchcock mini-series is his 1948 masterpiece (can you guess whether or not our reviews were positive?) ROPE. We talk about the importance of the script, the marrying of form and function, and what happens when reality meets philosophical thought experiments.
The first in our final directorial mini-season of Season 3 is Alfred Hitchcock’s debut feature, the 1926 silent film THE PLEASURE GARDEN. After a couple of short reviews, we talk about why this film’s importance outweighs the extent to which it’s ‘a good watch’, representing transgression on-screen, and the way in which the film uses […]