As The-Egghead-Who-Made-It continues his theatrical career, we see the introduction of a grotesque earthworm, Sniffles taking a nice jaunt to the country, and an inter-dimensional incident which, if we’re honest, takes up a full 20 minutes of the episode. IT’S BIG, MAN.
As we rejoin the ongoing adventures of Porky IV, the youngest pig ever to be put in the Porky role, we welcome the return of Daffy, observe a portal within a portal, and wonder which dimensions rules you follow when on the wrong side of the portal.
We kick off our Joel Schumacher mini-season with a look at his 1980s ‘classic’ (Sam’s inverted commas) THE LOST BOYS. There are…conflicting initial reviews, but we unite in discussions of being out of time, vampirism, and puberty.
Our final Kurosawa offering is one of Rob’s favourites: 1970’s DODES’KA’DEN. Sam liked it, too (though with some caveats), and we go on to discuss the director’s use of colour, sound, and film in general — with a look back at his oeuvre, as explored over the past month.
The next Akira Kurosawa film is probably his best-known — and certainly most-imitated — film: SEVEN SAMURAI (1954). We both really enjoyed this (one more predictably so than the other); after some general discussions of community feeling and individuality, we get more specific about the social hierarchies of the film, dive into Kurosawa’s cinematography once […]
Our next offering of the season is Akira Kurosawa’s breakout movie, RASHOMON (1950). After some positive reviews, we spend lots of time on the particular visuals of the film — including the way in which things are seen through other things — and end with a discussion of what the last scene might mean in […]