This week, we begin our heist movies mini-season with the 1955 French film noir RIFIFI.
This week’s film is the 2007 re-boot of the anarchic ST. TRINIAN’S franchise. Post-reviews, we talk about different takes on the male gaze, on this film as a period piece, and on the way in which such films can be heightened versions of universal truths.
This week our high school season has reached the cultural zenith (no shade: it’s a culturally important film!) of MEAN GIRLS (2004). After some reviews, we talk about meta-commentaries on teenage slang, the refreshing absence of strong male characters, and why this might be a film about leaving the limitations of high school days behind.
Our focus this week is the now 21-year-old (gulp) film, 10 THINGS I HATE ABOUT YOU. We follow some reviews with some discussion about the iconic status of this film, the multiple (and sometimes surprising!) similarities to Shakespeare, and the fact that it’s sometimes just good fun to put politics aside and — like Kat* […]
Our next film in the high school genre is the 1996 horror/comedy/supernatural drama THE CRAFT. After some largely positive reviews, we talk about how this is ultimately a film about knowing your place, while also being a feminist revenge fantasy, and also discuss the way in which this film exists at the confluence of supernatural […]
The next film in our ‘high school’ season is Richard Linklater’s DAZED AND CONFUSED, from 1993. After perhaps contrasting reviews, we go on to talk about fragmented teenaged memories, gender, and why rites of passage are important on screen.