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4.44 – BEAUTY AND THE BEAST (2017) & Loneliness

Posted on 2021-02-152021-02-15by The Prestige

This week our focus is he 2017 live-action version of BEAUTY AND THE BEAST.

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4.43 – BEAUTY AND THE BEAST (1991) & The Outsider

Posted on 2021-01-19by The Prestige

This week’s film is one of Rob’s favourite Disney films (so no pressure, there) 1991’s BEAUTY AND THE BEAST.

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4.42 – THE JUNGLE BOOK (2016) & Individuality

Posted on 2021-01-07by The Prestige

This week’s film is the Jon Favreau live action/CGI remake of the 1967 film. After some opening reviews (and Sam admitting that he might have given the film too much credit), we talk — in one of our more cerebral chats — about selfishness, understanding, and change, particularly in our reading of the end of the film.

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Top 5 Of 2020

Posted on 2021-01-01by The Prestige

The Best Of The Pandemic Year

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  • Of Dice And Robs

Never Again

Posted on 2021-01-01by Of Dice And Robs

Stock Car Swimming Pool

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  • The Prestige

4.41 – THE JUNGLE BOOK (1967) & Fatherhood

Posted on 2020-12-072021-01-19by The Prestige

The first film in our final mini-season of Season 4 (we’re getting old!) is the 1967 Disney animated version of Rudyard Kipling’s THE JUNGLE BOOK.

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4.40 – WIDOWS (2018) & Loss

Posted on 2020-11-232020-11-21by The Prestige

The final film in our mini-season of heist film’s is Steve McQueen’s 2018 movie WIDOWS.

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4.39 – THE PERFECT SCORE (2004) & Aspiration

Posted on 2020-11-02by The Prestige

Our penultimate heist film is the 2004 teen movie THE PERFECT SCORE. We talk about how this film doesn’t take itself too seriously, and doesn’t deserve the panning it got from the critics, as well as the idea that this is a mash-up of the heist film genre with teen films about progress of various kinds.

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4.38 – LOCK, STOCK, AND TWO SMOKING BARRELS (1998) & Remixing

Posted on 2020-10-12by The Prestige

Our film this time is Guy Ritchie’s 1998 break-out film, which spawned a host of not-always-successful imitators — even among the work of Ritchie himself!

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4.37 – THE USUAL SUSPECTS (1995) & Story-Telling

Posted on 2020-09-30by The Prestige

This week, we focus on a doubly discredited (director and star) but undeniably classic film: THE USUAL SUSPECTS.

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    The next Ińárritu offering — and the last in a ‘trilogy’ that began with AMORES PERROS — is the 2006 film BABEL. We have fairly similar takes on the movie, and this is followed by broader discussions about language, Westernisation, and the purpose of the film.
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