This week’s film is the 1988 vehicle for a young Nicolas Cage: VAMPIRE’S KISS. After some mixed reviews (this episode is basically one of us trying to persuade the other of the merits of this film…), and a little discussion of aesthetics versus narrative, we talk about misogyny, corporate greed, and the changing symbolism of […]
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4.16 — GANJA & HESS and Ecstasy
This week we look at the 1973 film GANJA & HESS. After some pretty favourable reviews, we talk about the thoroughly confusing nature of the film, the idea of cinema as an immersive experience, and the different versions of the movie Bill Gunn was forced into making (and wanted to make) — all the while […]
4.15 – BLACK SABBATH (1963) and Control
This week’s film is the 1963 anthology film BLACK SABBATH. In the course of our reviews, we talk about the two very different versions of the film (Italian and American), before going on to discuss the idea of cinematographic and soundscape intimacy, and lead up to a focus on some thoughts about male control in […]
4.14 – CURSE OF THE UNDEAD (1959) and Genre Fusion
This week’s film, in an enforced change to our programming, is the 1959 movie CURSE OF THE UNDEAD. After some initial reviews, we talk about the film’s use of some changes in the vampire genre to focus on ideas of ‘good versus evil’, before talking about why this meeting of the vampire genre and the […]
4.13 – RETURN OF THE VAMPIRE (1943) and Disease
This week’s film is the unofficial sequel to last time’s movie, RETURN OF THE VAMPIRE (1943). After some not-entirely favourable reviews, we talk about the creation of a cinematic trope or stereotype, developments in film technology, and the idea of vampirism as infection — or lycanthropy as mental illness.
4.12 – DRACULA (1931) and Abstraction
The next film in our vampire sub-season is the first talkie: 1931’s DRACULA. We do some reviewing, some not-always-favourable comparison with NOSFERATU, and then talk about late-Victorian culture, temporal distance, and the fact that there are two very different sorts of vampire film.
4.11 – NOSFERATU and Longing
In our first film in a new ‘sub-season’, we tackle the 1922 classic that kick-started the vampire film genre (no, it wasn’t absolutely the first, but it was the first ‘mainstream’ vampire movie, and has inspired so many others). We have a special guest this week, who talks to us about German Expressionism, how this […]
4.10 – THE RAID (2011) and the Visceral
In our last episode of this mini-season, we have reached the end of our focus on the Martial Arts genre, with 2011’s THE RAID. After some perhaps surprising reviews, we talk about how who/where we are in life has a huge effect on our reception of the films we watch, as well as some discussions […]
4.08 – THE LEGEND OF DRUNKEN MASTER (1994) and Comedy Action
We continue our Martial Arts season with Rob’s favourite decade (not just in terms of Martial Arts films, nor even in terms of films…just ever): the 90s. After some reviewing, we look at Jackie Chan’s use of the world around him, the difference between Chan films and Bruce Lee vehicles, and the pleasingly anarchic quality […]
4.07 – THE KARATE KID (1984) and Belonging
We continue our move into the ‘Western’ arena with another modern (ish!) classic of the Martial Arts genre: THE KARATE KID. After contrasting reviews (and a confession from Sam…) we look at the film in terms of its surprising comment on class tensions in the US, the ‘finding a family’ narrative of the film, and […]